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#Musical note durations software
#Musical note durations plus

Have you used star dots in published works? Let the author know so it can be added to this list. Published works that have used star dots include: Hudson suggests that the star-dot could be an abbreviation (and mnemonic) for "/

), but it allows previously impossible fractions like 5/8 (♩/.

This system is backward-compatible in that all existing augmentation dots still mean what they mean, eg 3/8 is (♩ To achieve other fractions besides reciprocal powers of two, we merely need a symbol to represent an OFF bit "0", for which he suggests a slash "/". The first position represents 1/2, the second position 1/4, then 1/8, and so on proceeding in powers of two. He recognized that the traditional augmentation-dot positions are essentially binary digits, where an ON bit "1" is represented by a dot " Hudson Flavio Meneses Lacerda invented a very elegant system in June 2019. If it is syntactically similar to an augmentation dot, then this glyph has similar advantages to Rautavaara's "x", but there are as of yet no known examples of a "+" being used in published material. Read more about this.Īnother notation (reported by participants in the MET group, but without any examples or citations) is the use of a "+" symbol. Saunders, associate professor of music at Oklahoma Panhandle State University, suggests putting a slash through the notehead or rest, or superimposing a circle over the notehead or rest. įirst known use: Stuart Saunders Smith, "THAW" (2005) In his score for "THAW", it is reported that a quintuple duration is notated with a non-filled circle. Edition Peters, SKU 1646524 Boosey & HawkesĬomposer and percussionist Stuart Saunders Smith has pushed many boundaries of notation. Matthew Saunders (see below) reports that this notation was also used by composer Frederic Anthony Rzewski (citation needed).įirst known use: George Crumb, "Zeitgeist - IV.

#Musical note durations plus

This notation has gained some fans, but is criticized because the anterior dot interferes with accidentals and ties, plus when in proximity to other notes it can look like the dot belongs to a different notehead. This notation was never well documented, but it was assumed that the posterior dot added a half-duration, while the anterior dot subtracted a quarter-duration. Louis Andriessen sought to solve this problem by removing the modifier dot from the notehead, and put to the right of the stem, aligned with the top of the stem.įirst known use: Louis Andriessen, "Trepidus" for piano (1983) Boosey & HawkesĪvant-garde American composer George Crumb published scores in which a quintuple duration was notated with one dot to the right of the notehead, and another dot to the left.

It has been criticized for the "x" looking similar to a double-sharp, but in practice is only a problem when in close proximity to other notes.įirst known use: Einojuhani Rautavaara, manuscript of double bass concerto: "Angel of Dusk" (1980) pub. This has the advantage of being syntactically similar to a regular augmentation dot. Prolific Finnish composer Einojuhani Rautavaara used an "x" symbol to the right of the notehead. Here are some other proposed solutions for quintuple duration: But it is hardly the first time such a notation has been proposed. Star Dot notation was first revealed to the public on June 2, 2016.

#Musical note durations software

If you have expertise in creating software plugins for these apps, please contribute! Help is needed to create open-source plugins for all the major music notation software packages. Since the star for the topmost note would overlap the star below it, it is moved up to the next space.